#Hotel california guitar solo free#
The speaker's a free spirit and likes to do things his own way. This is the true voice of the Hotel California, and it's appropriate that we don't hear from the singer again: His fate has long been sealed. The song fades out as the guitars play descending arpeggios.
When all the lyrics have been sung, those guitars take center stage and launch into one of the most famous solos-or, really, duets-in rock and roll. They're like the voice of the "beast" that can't be silenced. The steadiness of Henley's voice forms a contrast with the guitars that slowly begin to rise up behind him.īy the fifth and sixth sections of the song, the electric guitars have begun to whine, as if to signal the speaker's loss of control. In the two choruses, he's backed by other members of the band to give the impression that a crowd of "voices" is echoing through the halls of the hotel. Just like the speaker, he never gives away his true feelings-fear, anticipation, or curiosity? He keeps his tone cool and level and just barrels through the narrative. It's not so much the range of his voice as its dark, simmering quality, which conceals his emotion. The introduction seems to build up and then stop, and build up and stop.until finally, it comes to a complete halt and two quick drum beats pave the way for the vocals.Īnd Don Henley has a voice we could never get tired of. In some live versions of the song, the Eagles play up the Spanish element in the song by adding a flamenco-style trumpet solo at the beginning. Together, these sounds and noises create a concrete tone, setting, and mood.
The lengthy introduction includes a ten second-long shaker sound that resembles a rattlesnake, placing us in the middle of the lonesome desert. This intro sounds like a vaguely flamenco or Spanish-style guitar part-perhaps an homage to California's Spanish heritage. The chord, played by bass and acoustic guitars, mimics the ringing of the "mission bell" on top of the hotel. Even if you only heard the first chord of "Hotel California," you could probably recognize the song. The ending guitar solo with Don Felder and Joe Walsh was named the eighth best of all time by Guitar World magazine. The song also combines acoustic and electric guitars to great effect. Musically, "Hotel California" is propelled by Don Henley's incomparable voice, which sounds a bit like someone trying to play it cool while straining to be heard above a noisy room.
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